After a few hours in the car, the crisp cool wind that greets us as we walk to the Jordan Schnitzer Museum of Art is welcome. Eugene, Oregon is home to the University of Oregon and the museum is on the sprawling 295 acre campus. Many of the University’s buildings are planned around several major quadrangles and the more than 500 varieties of trees provide a natural beauty.
With its elegant exterior brickwork, decorative moldings and iron grillwork, the original museum building is one of the most distinctive architectural structures in Oregon. The museum opened in 1933 and is listed on the National Register for Historic Places.
There’s always something new to see at the museum. Selections from the permanent collections which number more than 13,000 works are on display throughout the second floor galleries on a rotating basis. The Jordan Schnitzer Museum of Art also houses a number of galleries that feature changing exhibitions and we are here today to see one of those…
Running the Numbers by former corporate lawyer Chris Jordan follows his recent photographic documentation of natural disasters. These large mural-size compositions are colorful versions of well-known paintings, like George Seurat’s A Sunday Afternoon on the Island of La Grande Jatte, but made with recycled objects–in this case, 106,000 aluminum cans. Another expansive landscape mimics Ansel Adams’s iconic imagery of the Alaskan wilderness but is actually a composite of thousands of GM stickers used for advertising their Yukon model vehicle. The exhibition addresses such issues as sustainability and consumerism in seductively beautiful compositions.
From the Chris Jordan website:
Running the Numbers looks at contemporary American culture through the austere lens of statistics. Each image portrays a specific quantity of something: fifteen million sheets of office paper (five minutes of paper use); 106,000 aluminum cans (thirty seconds of can consumption) and so on. My hope is that images representing these quantities might have a different effect than the raw numbers alone, such as we find daily in articles and books. Statistics can feel abstract and anesthetizing, making it difficult to connect with and make meaning of 3.6 million SUV sales in one year, for example, or 2.3 million Americans in prison, or 32,000 breast augmentation surgeries in the U.S. every month.
This project visually examines these vast and bizarre measures of our society, in large intricately detailed prints assembled from thousands of smaller photographs. Employing themes such as the near versus the far, and the one versus the many, I hope to raise some questions about the roles and responsibilities we each play as individuals in a collective that is increasingly enormous, incomprehensible, and overwhelming.
After taking in this amazing exhibit I check out the museum cafe. Eugene’s critically acclaimed Marché Restaurant has teamed with the Jordan Schnitzer Museum of Art to open the Marché Museum Café. Marché takes its name from the French word for market—a word that describes the restaurant’s philosophy of cooking. The café’s affordable menu of soups, salads, sandwiches, pastries, and coffees is based on the foods that can be found at a farmers market—fresh, seasonal and regional. They are closing so I make do with a lemonade.